​The subject of the installation is inter-spatiality in art. The critical challenge is to detach color (sensations) from form (representation) and make the creative process aboveboard, i.e., deal openly with the audience. “Augmented Abstraction” deals with creating a simple Augmented Reality (AR) system designed to create an immersive environment a computer simulates. Consisting of a camera, a computational unit, and a display, the system is run on a tablet PC using a built-in camera. Using marker-based tracking, it captures the marker, which is digitally painted nude, depicted in a mode of everyday visibility, and displayed on a large TV screen. The augmentation is in 3D, consisting of multiple parallel offset planes (parallel to the marker), holding the Photoshop layers, i.e., different abstract color patches, color patterns, brushstrokes, etc., produced during the nude painting process, thus creating complex 3D abstract permutations. By using AR technology, the final result is a chance to simultaneously observe the real world, represented in the mode of everyday visibility, and the virtual elements that exemplify the idea or the abstract code.